Biggs Quilt Planning

 I got the Biggs squares trimmed to size and sewn together.  I'll be moving on to the borders next, but I've been trying to decide on how I'm going to quilt this.  Lin from the FaceBook group for this quilt had posted what her longarmer (Joy Voltenburg of Custom Quilts of Joy) had done which featured these annoying corner flowers which I have hated since the beginning.  She used a square on point to connect these and create a secondary squares pattern that I thought was perfect for blending the mixed squares on alternate background fabrics. 

I traced several of the intersections to get an average size that would work, since the buds don't all fall perfectly symmetrical in each of those 16 intersections. (Which is another reason I hated those buds)

I had already decided to do a combination of machine and hand quilting. 

While I've been successful getting nice texture, as shown in this picture from my quilt "Loud", I felt the quilting would be too dense on the small scale needed for this applique. 

I have always been happy with the outcome of this style of flower and plan to use a variation of it for the center of the joining squares. 

To add more texture, I either need some micro quilting, like I did on the following 2 pillows.

Or play with the texture that comes with hand quilting and varying the line width like I did on the shells. 

This of course made me think about how much I liked the sashiko inspired background diamonds that I did on Hearts Infatuation using fuchsia thread. 

And while I was considering past successes in microquilting, I thought about this dragonfly.  So now I am considering adding butterflies, dragonflies and bumble bees into some of the "blank spots" linked together with the shashiko fill. 

Clearly, I have created an extra project for myself.  I'm feeling the need to do a test "block" to see which of the variations that I've considered that I like best. 

Princess

The topic of dress-up clothes came up as a Christmas gift for my 3 year old granddaughter.  A picture was sent of a fur cape.  After a rummage of my stash, and a raid of a friend's, I was able to pull together this set with purchase of very little.  

The photo sent was a bit more "Frozen" inspired.  But I had tons of this pin-tuck satin.  So Little Red Riding Hood it is.   

They were once curtains when a teenager in my house was in her goth stage.  A couple yards of furry black minky and a frog closure was the main expense of this project.

Part 2 was this simple reversible brocade skirt.  The fabric was bought by Kim at a Bridal Store clearance, but housed by Beve.  Beve also supplied the bias trim for the hem.  The elastic and the grosgrain ribbon to make the skirt adjustable sizing, was from my stash.  

Next up was the satin dress.  I hate sewing satin.  I designed this dress from 3 different patterns. I wanted something that a little person could put on/take off without assistance.  Also, it needed to be able to be layered with other pieces.  And need to be adjustable sizing, either to grow with the person, or to be able to play dress up with other people.  Satin from Kim.  Broach from Beve.  Only expense was the gold trim. 

I had magnetic snaps from a purse project in my stash.  There are 2 snaps, on the inner and outer side of the wrap. Because of that, the inner snap can be moved to the outer position, increasing the waist line by 7 inches !

Beve has been working on princess dresses to donate for a fund raiser, so I made an extra of the satin dress as a way to "pay it forward" for the fabric donations. 

I had one more piece planned out of sequin material.  But due to satin trauma, I'll save that project for a birthday gift. 

November Finishes

 My November goal was to finish 4 more of the Benjamin Biggs Blocks. 

The first went quickly with just a few large pieces. 

The second wasn't to bad...

But the third was super fussy with lots of little pieces.  And I lost a day of sewing to Christmas shopping.   Our Thanksgiving weekend plans also changed.  Because of Covid, we cancelled the gathering at our house, and instead we did a 2 day, 1000 mile road trip to drop off gifts and leftovers.

I had hoped to do a little applique during the drive, but the roads were too bumpy.  So my 4th block got finished the first weekend in December. 

I also got a good jump on the final 2 squares.   I was slowed down by the fact that I can't find the download for block #20.  In a way it's good, because I don't think the leaves on those flowers are very pretty, so I re-designed them.  

I will likely get stalled out again, as I need to make some Princess clothes.   I have a cloak nearly done, but have 3 other pieces of the planned ensemble to make. 

Moana

 

This Grandma Christmas Task was creating something for my favorite 3 year old.  I was given an assortment of inspirations, but started with Moana.  I had to rent and watch the movie.  

I was sufficiently inspired. 

I collect antique linens and have a sweet spot for pillow cases with crocheted or tatted edges.

When the pillow case fabric gets fragile and fails, the edging always looks great.  I've been saving them for years thinking that  it would make a great edging for little girl dresses. 

My BFF Beve opened her stash to me.  

I think the triangular crocheted bits were probably the ends of a table runner.   

There was some "fussing about" to make it work.  

Had a copy of Simplicity 8270 this size which I adapted.   

Because I was adjusting to the standard pillow case edge size, I ended up making a big dart from the  underarm seam to the hip.    I added the back section after the rest of the dress was constructed, thus the inconsistencies on the overlap. I put a few extra layers of top stitching to make this more solid.

I pieced the bodice with bits of my orange/ping batik stash. 

Then top-stitched in orange with some of the fancy stitches on my machine that I swore that I would never use.  SO HAPPY with this bit. 

My serger died.  So my arm solution on the knit fabric was some fancy elastic I bought when I thought that I might learn to sew panties.  The fancy stretch stitch in contrasting thread.  OMG.

While I am delighted with the outside finishes, the inside is a train wreck.  I'm so used to serged edges and had to go old school with some zig variations.  Gotta buy me a new serger. 

This probably needs a swag belt.  Both for looks and to make it more size adjustable.

Next project is a hooded cape.  Lined with furry black minki and showcasing a fabulous red/black pin tuck satin.  In it's previous life, curtains for my granddaughter's mother when she was in her Goth teen aged stage.   The Circle of Life.

October.

My goal for the month was to finish 3 Benjamin Biggs blocks.  A week out I didn't think it was going to happen, but I squeeked the last one in before the month ended.  

I have 4 prepped for November as one of them is very simple.  That leaves 2 or 3 yet to go.  Unfortunately, I can't find one of the blocks from the original download, so I will have to draft it myself.

I have 70 of the 100 of these blocks done, plus another 7 half finished.

And I did make a second big block of this leader/ender project. 

I hope to get back to the Boomer project. 

But it's at the point that it needs time and space for the next step. And I have a background glitch I haven't really worked out yet.

Too Many Projects

 

Having made so much progress on UFOs during furlough, I decided to pull out another stalled project.  It's the Benjamin Biggs quilt.  A reproduction of a quilt from 1848 that was done as a block a month quilt along at Just Takes 2.   I did mine in traditional red/green, but using batiks.  I had 12 of the 25 finished when I stopped working on it in 2014.

There were 3 additional squares that needed the annoying 4 corner flowers added. 

It took a month for me to finish those 12 flowers plus block #16.    I have the next 3 prepped with a goal to finish them by the end of October.  They are a perfect partner to watching football. 

Meanwhile I got sucked into another quilt along that is active.  A paper pieced fall theme quilt from Twittletales.  I thought it would be a good way to use up some rusts and olive greens that I don't usually use.  I failed to realize how annoying it would be to make 100 paper pieced blocks.  I'm a little over 1/2 way done. I've been challenged by using 2 different background colors (didn't have enough of the first which was leftover from another project.) and the fact that I can only stand to sew about 5 blocks at one sitting before I get bored.

I had a lot of "good scraps" from the Monet quilt.   I should have just thrown them out.  Instead, I started a leader/ender project that resulted in some tiny 4 patch blocks. 

Which after some consideration became this 6" block. 

And ultimately a Road To California bonus quilt using up the sea / sage scraps.

The combination of being back to work, and taking advantage of the cool down in the weather to complete another garden makeover in the back yard, has cut into my quilting time.  We'll see what October brings.

Boomer

 

I spent the weekend working on a rack of ribs.

Because I needed to be able to manipulate the whole set while designing the quilt, each  piece was cut out with a muslin backing, sewn then turned right side out.  The ribs are all sewn in place, but the spine sections just pinned. 

The reason for all of that, is that the whole quilt is designed around this t-shirt.  

It was cut off my buddy Boomer when he had his heart attack. 

Fortunately he survived the ordeal. 

He and his wife have been helping me design this quilt with all of his favorite things.  

In the style of Day of the Dead. 

Scraps Beget Scraps

 

I added the backing to Monet and top-stitched the edge.  I had every intention of stitching some stabilizing lines vertically.  Instead, I threw it in the washer and drier and declared it done.  Quarter for size reference of the 1" squares. 

Since there's no quilting, I shall henceforth refer to this as the Monet Coverlet. 

After placing all those 1.5" squares, I was so ready to throw away the extras.  But there were so many "good fabrics" in the mix.   I started a leader/ender project while I was finishing up the Monet top, and today combined the pairs for 100 4-patch blocks.  I have some vague ideas of combining these with HST using the blue leftovers.  

Twiddletails posted this quilt along of Leaves in the Forest, just as I was wondering what to do with the weird olive leftovers I wouldn't usually buy.  

I was able to pull these scraps together to match the pattern colors.  

And did these test blocks (Block #4 on top, #1 on bottom) that include 9 of the 12 colors in the quilt pattern.   They appear to play well together.  

On a bright note, both of these somewhat random piecing projects are good start/stop type projects that allow me to work 30 minutes at a time, unlike the larger, more complex projects I've been finishing up.  Hopeful that will keep me on task. 

Monet Finish

 

11 years and much cussing later, Monet's Lady with Parasol is pieced. 

Finished size is 85"x 107"

This is how it looks on a Queen size bed. 

Definitely larger than the original. 

On the back of the flimsy, you can see 3 different brands of fusible that was used to position the squares.  There are even some sections I put together without the fusible. Once it's positioned, it is sewn, right sides together a row at a time with 1/4 inch seams.  Since it is so secure, and there are SO MANY seams, my plan is to add a double wide backing but no batting.    Almost done!

Addendum:  Ended up just adding a backing and topstitching the edges to make a coverlet.  Details in next post.